<?xml version="1.0" encoding="UTF-8"?>
<metadata>
  <mediatype>audio</mediatype>
  <identifier>lm04</identifier>
  <type>sound</type>
  <publicdate>2004-11-29 06:22:12</publicdate>
  <creator>Dale Lloyd</creator>
  <description>5 Pieces in line with what we can expect from this master of delicate thunder. Dale Lloyd gives us quite precise electronics interlaced with acoustic sources. Excellent electroacoustics from the USA.&#13;
&#13;
Composed for EARLabs in June, 2003, using field recordings and electronic embellishments from a Moog Concertmate MG-100 analog synthesizer. Some of the field sources were derived from air pressure moving the front door of my apartment during a very windy evening. The ventilation that moves through the building adds to the air pressure. Having a window open during the windy night, makes the door move erratically, especially if the window in the hallway is also open. Other field sources include a university power generator, various room acoustics, and the motor of a damaged cd player.&#13;
&#13;
Aside from producing his own sound work, Dale also runs the and/OAR label centered around field recordings, electroacoustic and other experimental sound works; and also produces the field recording compilations for phonography.org. More about Dale and his activities: and-oar.org.</description>
  <licenseurl>http://creativecommons.org/licenses/by-nc-nd/2.0/</licenseurl>
  <date>2004-11-11 00:00:00</date>
  <collection>earlabs</collection>
  <title>Dale Lloyd - Enabling Articulate Fields [lm04]</title>
  <uploader>archive@earlabs.org</uploader>
  <addeddate>2004-11-26 23:07:57</addeddate>
  <adder>EARLabs</adder>
  <pick>0</pick>
  <runtime>14'</runtime>
  <updatedate>2004-11-29 06:21:33</updatedate>
  <updater>simon c</updater>
  <public>1</public>
  <subject>Field Recordings</subject>
  <collection>netlabels</collection>
  <publisher/>
  <source/>
  <taper/>
  <notes/>
<collection>netlabels</collection></metadata>
